![]() ![]() & 31.1.) depicts seven days and seven nights in the life of the reporter Marcello Rubini (Marcello Mastroianni), who earns his money working for the tabloid press but fancies himself as a serious writer. He was the prototype of that generation of 40-year-olds, in all their weakness and lack of orientation - a generation of a kind of person that is no longer useful today because today we need people who know exactly what they want.” “ OTTO E MEZZO was a kind of psychoanalysis session, I could almost call it auto-psychoanalysis because Guido was the portrait of a man of my generation - a sensitive, intelligent man, a very characteristic anti-hero type. He retreats to a steam bath, where he contemplates his suppressed complexes and his childhood dreams and reflects upon the absurdities of the film industry, his relationship with art and with the female sex, finally about the meaning of life. It is about director named Guido Anselmi (Marcello Mastroianni), who wants to make a film but does not know what about. ![]() ![]() Before it, he had made 7 1/2 films and this one marked both a turning point in his oeuvre and its pinnacle. ![]() OTTO E MEZZO (8½, I/F 1963, 19.1., Introduction: Gerhard Midding & 26.1.) Fellini’s masterpiece is a film about filmmaking and producing images. ![]()
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